MARIANN LEAHY
Long
before Mariann Leahy settled into her Sedona area home,
with its breathtaking views of the rich red rocks, she
had exchanged canvases for clays to express her talents. "Clay,
coming from the earth, provides for me a natural tactile
connection with our fragile world," she has written.
As a child in Illinois, her parents had fostered an appreciation
of birch trees and aspen, horses, ancient Indian mounds
and current Indian cultures, and the budding artist drew
then painted it all. Early lessons at the Art Institute
of Chicago helped hone her childhood skills. At the age
of eight, shortly after the death of her father, Leahy's
remaining family took a cross-country drive; as they
stopped to explore ancient sites along the way the experience
became one that would mark her forever.
Leahy would continue cross-country
exploration of this country's native heritage even as
she focused on drawing and painting while working for
over fifteen years as an art teacher in the multicultural
Chicago area. As the southwest claimed its hold on her,
and the tactile draw of clay began, Leahy found herself
returning to the Art Institute of Chicago, this time
with a scholarship for graduate work to study ceramics.
By combining a love of painting with her new-found skills
with clay, Leahy developed a style distinctly her own.
Leahy first cuts red clay and
works in mica she's pulverized herself to give added
texture to the new piece she forms. Then, "I'll
cut out shapes I've drawn of horses or deer, turtles,
birds, lightning bolts, hands and spirals," Leahy
explains. "I use a thin brush dipped in black velour
glaze to either trace or copy an outline of the form
onto new pieces." The shapes are filled in with
three to four layers of glaze, shiny or matte, before
firing.
With ancient myths and symbols
as inspiration, Leahy creates stories within each piece
she creates. "Because the glazes you paint with
aren't the colors they end up when fired I have to see
a finished piece in my mind as I paint, to position the
right colors and shapes," she explains. Leahy's
unique skill is in the 'shading' she achieves by positioning
in a specific area just the right sized shape of just
the right tone of color.
In her wide variety of pieces
Leahy gives a contemporary look to works that echo ancient
motifs.